“El Mal Querer,” her second studio album and first project backed by label Sony, has streamed more than 2 million times on Spotify. Lyrics.- Yo sé que esto no volverá a pasar Pero si volviera a pasar Sé que sería tu debilidad Porque la noche de anoche fue (-ue). Among Spanish-language artists from Spain, she’s one of the few contemporary musicians that has achieved global status. This has undoubtedly aided in her unparalleled success. In Spanish, the word is “duende.” The Atlantic wrote that duende, in a musical sense, describes “the prickle on the skin, the ax-edge of experience, sublimity freeze-framed.” The flamenco greats aroused this sense of duende, and many fans are pointing to Rosalía as their duende-incarnate. As Spanish-speakers describe, Rosalía’s appeal comes not just from her music, but from an indescribable quality that is heard once in a generation. E Am Dm A F Em G B Chords for ROSALÍA - QUE NO SALGA LA LUNA (Cap.2: Boda Audio) with song key, BPM, capo transposer, play along with guitar, piano, ukulele & mandolin. Ultimately, each track on the album is a gem, tucked away inside the conceptual masterpiece that is “El Mal Querer.” Rosalía achieves what so few artists can lay claim to, a fusion sound that does justice to her musical chops and the histories of two distinct genres. Pablo was very excited by it and we saw that we sound good together, so I was like, ‘Let’s do the entire record together.’ It’s about the power of a woman.‘When I Close My Eyes’ Is the Uplifting Album Everyone Needs Right Now 11 Poder) “The last song of the record is the first I composed. Then: This Arthur Russell sample-I think it’s perfect in this moment.”Ī NINGÚN HOMBRE (Cap. 10 Cordura) “We’d been working with Pablo on the production and composition for a year and a half, and I didn’t like it enough. I feel like in 50 years, people in universities will study him.”
I was very inspired by what James Blake does-the space and the production he uses in his songs. 9 Concepción) “This is a traditional flamenco melody used when you have a child you’re trying to make fall asleep. paying tribute to all these artists I heard when I was a teenager. The lyrics-'Say my name, say my name'-I'm such a big fan of Destiny's Child. It’s about this connection between two people the sexual moment. 8 Éxtasis) “It’s a very flamenco vibe, very traditional, the structure is very pop.
He heard the song and said, ‘Yes, you can use the melody’ I was so excited because he never approves anything.”ĭI MI NOMBRE (Cap. 7 Liturgia) “I was very inspired by an erotic club in Barcelona called Bagdad and by ‘Cry Me a River’ by Justin Timberlake. You can feel the experience in her voice. Lyrics of DE AQU NO SALES (CAP.4: DISPUTA) by Rosala: Yo que tanto te camelo, Y t me la vienes haciendo, Que t de aqu no sales, Mucho ms a m me. 6 Clausura) “You can hear Rossy de Palma’s voice-she’s an iconic actress from Spain. Camarón was singing with an orchestra he created the arrangement. Lamento) “It’s a traditional melody from flamenco. Khalid told me he liked the song-I would love to do music with him.” I wanted to use the motorcycles in this song with this crazy rhythm that combines three and four. Disputa) “It’s the most aggressive part of the record.and one of the most risky. I was so inspired in this place.”ĭE AQUÍ NO SALES (Cap. I did the bassline on an island in Spain, El Hierro. 3 Celos) “It’s ‘Thinking About Your Gaze.’ This was a song that started from a sample of Bulgarian voices. It's the dark side of getting engaged-it's something beautiful but at the same time, there's another part, right?” Sometimes you lose something of yourself in the process. 2 Boda) “This song is about commitment and that feeling you get when you get in a relationship with somebody. I was trying to compose a song everybody could understand, doing experimentation with electronic sound but also connected with my roots and flamenco. 1 Augurio) “It’s a premonition-this moment when you know in the beginning of the story how it’s gonna end, but even then you go and do it. ROSALÍA went through the album track by track with Beats 1. Inspired by Flamenca, a 13th century book about a woman imprisoned by her jealous fiancé thought to be the first modern novel, each of the 11 songs on this collaboration with producer El Guincho (Pablo Díaz-Reixa) serves as a “chapter” of a running story about a doomed relationship. It's not enough that rising Spanish star ROSALÍA ingeniously blends traditional flamenco with contemporary pop on her second album-she also gets a narrative based on medieval literature in there, too.
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